Partnership is one of the most versatile terms in our language!  It can indicate anything from a formally documented legal business structure, all the way to quaint observations of Wolves and Whooping Cranes in nature that “partner” for life!  In our Interior Design context, there are all kinds of partnerships that occur just because of the nature of the work.
 
The first and most obvious, of course, starts with yourself and the Interior design expert you select to make your project vision come true.  Whatever you want to call your formal agreement – a Contract, a Memo of Clarification, a Job Order, etc.  – you will be working as informal partners in all stages of the plan.  Every aspect of your project that requires specific skill, specific materials, certifiable services, professional services, appropriate equipment manufacturers plus other necessities such as dependable communication, documentation and transportation, all amount to “secondary partnerships” for getting the job done.
 
However, as anyone who has ever been in any kind of a “partnership” knows – it can get tricky!    ​

It doesn’t seem to be the details themselves that bothers us; it’s how they are managed in a given situation.  When you place your design project in the hands of your design team, you buy into that team’s overall ”style,” and that of each of your project specialists.
 
Let’s face it.   Some styles can be annoying – particularly when they require accountability that may not line up with our own personal patterns.   Keeping all the balls in the air is very important.  There are many ways to manage the myriad details in projects of all sizes.  Flexibility and an open mind concerning perceived differences in how to handle the details is a benefit – not a handicap.

The simple, clean lines of a finished project do not reveal the hundreds of details that brought it all together.
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​That’s when your design team may be flattered, but at the same time, knows that part of the job will be helping the client to develop their own vision.  There are situations where a prospect makes it clear that they want a great environment, but don’t have a specific theme in mind, seem to have no materials preferences, color focus or the faintest idea where to begin!
 
Almost everyone has preferences!  Often the assertion:  “I really don’t care – I trust your judgment!” actually has to do with transposition.   For instance, you may know exactly what you want when you choose your clothing or select an automobile make, model and color, and a range of other situations where you make selections based on clear preferences.  But, envisioning how to pull a complex commercial or residential environment into balance and harmony seems monumental and unfocused.
 
It can be difficult to envision a favorite color, for instance, on the full expanse of a wall – though you love it in a necktie or sweater.  Picturing patterns on upholstery, paneling or flooring for a space sixty feet by eighty, for instance, is very different than for a vehicle.

​Where’s the middle ground?  How does your design expert make the selections for you to choose from?  One thing is certain, it is not from guesswork!
 
From initial contact, through documentation and all the subsequent steps and stages that lead to project completion, your professional design team is getting to know you.  That important process is one that continues – not one that is addressed and then at some point, is considered complete!
 
Your design vision may start with definite and specific form, but – like many art forms -- it continues to evolve.  As the project develops and becomes real, the subtleties and nuances of the original vision mature and shift.  Within the desired concept, the vision grows as each new choice is made, and as circumstances may influence

​More often than not, a project in either a business or residential category leads to another project in the client’s other aspect.
 
When your design team has become immersed in the details of your commercial design project for business, professional practice or institution, they probably have gained extensive insights to the personal tastes that would also drive your residential environment design.
 
In the process of studying everything from function, color, lighting and sound preferences to ambiance and accessorizing, design experts are able to re-translate those insights from one site aspect to second or third site applications.  The huge advantage lies in the fact that the hours and dollars that have been invested in learning about the client’s tastes and budgeting disciplines have already been covered, in depth.  Very little of the basic groundwork must be re-visited.

​In several past articles I have discussed the important connections between the decisions and results of your commercial Interior design project and other aspects of your business enterprise.   From human factors to effective marketing, synergy needs to happen!
 
The space planning strategies, the traffic patterns that your employees, clients or customers must follow, the emotional and visual impacts of color --  and your choices concerning furnishing and equipment -- are all part of what your business projects to its consumers!
 
As time and innovation move on, many, many changes occur in the fields of health, furniture design, efficiency paradigms and performance technologies!  Those changes have large consequences!

​It’s not quite the same bag as buying a used car, but it comes darn close!   Transforming an interior environment that includes a challenging set of “givens” – some that can’t be changed  but maybe a few that can be modified – is sometimes enough to make you lose your hair...
 
“As is” comes in many forms, shapes, sizes and complexities.  Often a new client puts it right up front:  No structural changes, no major modifications of existing configurations...just do what you can!   And, oh yes; the orange ceiling color stays.   Oh, boy.
 
Like most Interior Designers (and Architects) I welcome challenges!   Most of them make you stop short at first, then the wheels get turning and the Interior design team accepts that this one will be different.  It simply means that the planning, strategies and prospective Interior design concepts will have to develop from the old exposed pipes, the mystery box in the far corner of the (orange) ceiling, and the sloping concrete floor.   The client’s clear message of limitations rings in your ears.
 
All of such challenges are not quite as radical as the example above, but almost any fixed situation – be it color, structural anomalies, or immovable objects – immediately force the team to “react.”     Creative design is usually reactive primarily at the front end – listening to the concept the client has in mind, learning the negative stipulations and/or limitations (including financial) and learning their Vision.  Then, the Interior designer moves into “active” mode, creating the client’s vision from their talent, knowledge of resources and understanding of the problems and possibilities.

​When considering your Interior Design Vision, you probably initially consider how you want it to look!  Next in line follow the important considerations of feel, function, purpose and support.  Those are the other sides of your design vision for which your professional designer takes responsibility on your behalf.  
 
Not everyone with a picture in their mind automatically sees the best ways to connect their visual preferences to those critical “other aspects” that will result in a successfully performing finished project.
 
Wanting your investment in your environment to be beautiful, to be in line with current style trends and to be attractive to the relevant market is predictably typical.  That desire (and goal), while credible and doable, does not – in itself – cover all the essential bases.
 
A commercial environment must meet many criteria to qualify as a successful installation.  Its overall design integrity, its specific configurations, the detail applications and its responsibility to appropriate functionality are high on the list of essentials.  A beautiful appearance with few or poor functional components that address the purpose of the environment, just will not work successfully, over time.

​Isn’t it interesting how we often describe colors and lighting in terms of our sense of touch?  Lights are soft; that color feels cold, and so on.  It’s because the concepts of color and light are deeply integrated with texture, particularly in design considerations.
 
There are significant differences between painting a wall “flat,” and, texturing it first, then painting.  Applied color changes because of the highs and lows of a texture; light will play capriciously as textures vary.
 
Your designer must consider all textures carefully when choosing lighting, and color. That is one of the junctures where all three elements must be simultaneously managed.  It is important to remember that changing one of these factors affects all three.

Many projects present added complexity when the client requests that “secondary” or special use environments be designed into their primary use vision. 
 
With the clear trend to focus more and more activities on one primary site, the opportunity arises for creative design challenges.  One of the simplest is the dedication of part of the residence to business activities: the home office.  With the advancements of more efficient electronic capability, many individuals telecommute for a company as employees of a business located elsewhere.  Independent contractors (owner operators, the self-employed, etc.) are no longer limited to renting an external office.  The stigma of “working out of one’s home” simply no longer exists.
 
Interior space planning and design professionals have met this challenge.  Designing secondary environments within or adjacent to a primary residence requires unique management strategies for both designer and client.  The needs and patterns of family life must be weighed in consideration of the sound, concentration and privacy factors essential to an appropriate workplace.
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​Just as we all have individual personalities, preferences, wishes, dreams and idiosyncrasies –kitchens are special, individualistic Interior space!  (...or they should be!)
 
The outfitting of a kitchen should agree with the importance of a kitchen to the individual most likely to use it.  Your professional Interior design team knows that getting it right with your kitchen design is a top priority for a functional, balanced home.   Matching a kitchen design to its projected use and user is just good old common sense!
 
Home kitchens have evolved amazingly in recent decades.   The very early paradigm of kitchen as the family gathering place (often the only heated room in the house) has evolved and transitioned with many, many variations.   All reflect the residents’ lifestyle.

​For those familiar with flow charts and critical path planning in their everyday work, the meaning will jump right out! 
 
However, not everyone is involved with very close and precisely timed junctures in their ordinary work patterns.
 
Achieving your desired project completion date hinges on a series of activities, availabilities, choices, decisions and actions that must converge appropriately.   They are the functional elements that exist within each phase and aspect of your project, and are strategized by your design team at the front end of the project.  Also built into the plan are allowances for flexibility in situations not entirely predictable at the start.

​They come up in both perspectives of your design project:  Client and Contractor.  Large or small (real or imagined!) all are important because they have an effect on your project path.
 
Again, good communication tools and comfortable, open, comfortable relationships are the key to managing your concerns.  There is no concern too small to bring to the attention of your professional design team.  And, likewise, your designer will not hesitate to bring clarifications, questions and “mysteries” to your attention.
 
Large concerns are usually obvious to all the players and probably will quickly bring cooperative attention to bear for solutions.  Very small concerns (questions or momentary mysteries) might just be handled as they arise, where they occur, and not even cause a blip.
 
While the terminology “concerns” may seem vague or obtuse, most of us could quickly come up with examples!  In the course of a project there is often sudden concern for something all assumed was handled – usually by someone else!  And assumption is a concern in itself!

​ Some can drive your design team stark raving nutz!
 
The serious side of this problem is no laughing matter, and nutz or not, time is money and that invoice in the mail is the bottom line clincher.  It is vital to know all the facts about how it got to that number.
 
We all like to think we are efficient – and prudent.  But, too often, little stuff adds up and disputes that assumption.
 
How efficient is it, for instance, to take four five- minute phone calls with your designer waiting each time (on the clock) to continue your meeting?  Do you think your professional should “give you” that quarter hour?   Or, when your designer arrives on time for your appointment and you keep them waiting thirty minutes – do you think they should clock off?  (You would not want your designer taking phone calls or texting while you were paying them to be focused on you!)

​Transform:  to change completely or essentially in composition or structure; to change the outward form or appearance of;  (Webster/Chambers/Oxford).
 
Professional Interior Design is a professional service that an expert drives and a client navigates.  The success or shortfall depends almost entirely on communication!   The “where to begin” and the “arrival at desired outcome” depend heavily on one component – client – imprinting another component – Interior designer or team – with the desired vision.  Easy?  Well, not always!
 
In “transformative” Interior design, the challenge antes-up considerably, and the journey is quite different when compared with Interior design that springs from existing patterns and tastes, refreshment Interior design that maintains and corrects, or remodeling Interior design that grows an environment with upgrades but preserves the known and obvious preferences.